Cornetist Taylor Ho Bynum, well-known for his associations with pianist Cecil Taylor, trumpeter Bill Dixon and, particularly, reedman Anthony Braxton, allies a world weary lyricism to adventurous technique, while up-and-coming pianist Alexander Hawkins invokes the entire keyboard pantheon, sometimes within the span of a single cut. On drums, Harris Eisenstadt demonstrates a mastery which makes the tricky seem elegantly nonchalant. Bassist Dominic Lash, a longtime companion of the pianist but increasingly visible in a variety of unfettered settings, possesses a scope which can see him start a piece at a spry walk, but finish by exploring the possibilities of a creaking drone. But whatever the stylistic switchbacks, each manages the transitions with such aplomb that what could be jarring appears inevitable.
Although very different, the seven selections, furnished by each of the principals, engender a convincing unity. Hawkins' "assemble/melancholy" lures four disparate strands together until they coalesce in a lilting swing, while "equals/understands (totem)," from the same pen, follows a circus march with a rootsy piano break, which would have been equally apt on Hammond organ, before closing in a pointillist timbral exchange. A similarly enigmatic ending also graces "Remember Raoul/Piano Part Two" which finds a languorous cornet line drifting uneasily over a sprightly rhythm, before slowing to a glacial pace for Bynum to create a litany of extreme effects wrung from the combination of air, lip and metal.
For each release to date Eisenstadt has brought a purpose made vehicle which shows off the constituents to maximum advantage. His "Third Convergence" bounds in like a lion with an exuberant drum solo, undercut by a series of measured cornet/piano unisons, before blossoming into a lovely low key melody and a flowery excursion by Hawkins, then going out like a lamb via a spluttering cornet solo over a rolling vamp. The drummer also contributes the title track, this time reprised from the his Canada Day III (Songlines, 2012), a deceptively simple strolling line, with Hawkins covering both the vibes and saxophone parts, which acts as a wistful finale to a terrific album.
John Sharpe
credits
released February 1, 2013
NBCD 53
Recorded live at the Vortex Jazz Club, Sunday November 13th 2011 as part of the London Jazz Festival by Alex Bonney
Taylor Ho Bynum (Thobulous Music), Harris Eisenstadt (Socan/Heresy Music), Alexander Hawkins (Big Life/In All Seriousness Music Ltd.) and Dominic Lash (PRS)
Harris Eisenstadt plays Istanbul Agop cymbals
Photos by by Peter Gannushkin / DOWNTOWNMUSIC.NET, except photo of Alexander Hawkins by Edu Hawkins
Mixed by Alex Bonney and Alexander Hawkins
Mastered by Arūnas Zujus at MAMAstudios
Design by Oskaras Anosovas
1. Assemble / Melancholy 4:11
2. Third Convergence 13:49
3. Remember Raoul / Piano Part Two 8:53
4. Equals / Understand (Totem) 5:47
5. Oat Roe + Three by Three 7:18
6. The Taff End 7:15
7. Slow and Steady 3:56
Taylor Ho Bynum - cornet
Alexander Hawkins - piano
Dominic Lash - double bass
Harris Eisenstadt - drums