This release contains never earlier released Survival Ensemble session from 29th May, 1977 recorded at A Day of Solidarity with Soweto in New York City. Also a 40 pages booklet with essay written by Ed Hazell about the Survival Ensemble, original flyers, photos, etc.
Violinist Billy Bang made his recording debut as a leader with the Survival Ensemble, the first working band he ever led, on New York Collage in 1979. Bang, saxophonists Bilal Abdur Rahman and Henry Warner, bassist William Parker, and percussionists Rashid Bakr and Khuwana John Fuller played incendiary free jazz more clearly indebted to the New York avant-garde of the preceding decade than any album Bang would record again. The music’s urgency and passion arose from the exhilaration of artistic self-discovery shared by everyone in the group, and the intensity of their need to express their feelings. The albums really are a loft era classic. Proudly flaunting its New York roots, it insists that music based on the innovations of Coltrane, Ayler, Taylor, could grow in new directions, absorb new influences, and engage contemporary political realities.
credits
released May 1, 2011
NBCD 30-31
CD 1 was recorded 29th May 1977 at A Day in Solidarity with Soweto: A Fund Raiser, Harlem Fight-Back, 1 East 125th St., New York
CD 2 was recorded live at Columbia University Radio WKCR 89.9 FM 16th May, 1978 Recording Engineer – Taylor Storer. Assistant Engineer – Jim Defillippis. Edited by Peter Kuhn / All songs published by GHAZAL MUSIC.
Originally released on ANIMA RECORDS in 1978
Remastered by Arūnas Zujus at MAMAstudios
Design by Oskaras Anosovas
CD 1 - BLACK MAN'S BLUES
1. Spoken introduction 1:07
2. Albert Ayler/Know Your Enemy 19:27
3. Ganges/Enchantment/Tapestry 30:47
4. Black Man Blues 18:27
CD 2 - NEW YORK COLLAGE
1. Nobody Hear the Music the Same Way (Dedicated to John Coltrane) 12:17
2. For Josie Part II 10:28
3. Illustration 8:22
4. Subhanallah 14:35
Billy Bang – violin, poetry, bells, shaker, percussion
Bilal Abdur Rahman – tenor and soprano saxes, bull horn, percussion
Henry Warner – alto sax, bells, shaker, percussion
William Parker – bass
Khuwana Fuller – congas
Rashid Bakr – drums
supported by 26 fans who also own “Black Man's Blues / New York Collage”
After a precision liftoff in Tabasco and setting a course to travel the space ways from planet to planet, the album peels away through a wormhole just past Saturn in the eponymous track Mayan Space Station to journey through time and space in Canyons of Light. eric F